Tag Archives: Broadway fandom

Why I’m Boycotting Season 3: Confessions of an Ex-Gleek

The following post contains all of my relevant feelings about Glee.  As of September 2011, I do not anticipate blogging about this show again.  Ryan Murphy done me wrong one time too many.   I would never command anyone to stop watching a show, but I don’t think it deserves any more of my energy.   I have been known to get literally upset during in-person Glee arguments before, and it was time for me to call it quits for my own sanity.   I welcome your comments, but you are not going to change my mind. 

Friends, Romans, countrymen, I must get this off my chest:

I am an ex-Gleek.

Given my unabashed love for all things Broadway, you shouldn’t be surprised.  I also love high school dramedies, goofy pop covers, and Darren Criss.   Really, it’s no wonder it took me until “Rumors”  (Season 2 Episode 19, The One Where That Blonde Guy Is Poor) to give up in a huff.  I actually haven’t even seen the return of Jesse St. James (Jonathan Groff) except for the “Rolling In The Deep” clip.   And I don’t even care.

Those of you who have always been feminists or annoyed by this show are no doubt wondering what took me so long.  Those of you who are obsessed with this show are no doubt wondering why I’m a humorless, self-righteous witch.   That’s fine.   I’m pretty used to straddling that divide.  :-p

The thing is, Glee had so much potential.   The first half of Season One was witty, irreverent, campy, and GOOD.  It was deliberately making fun of not just High School Musical but all the teen dramas that had come before it as well as all those Inspirational Teacher films like Freedom Writers.  (BTW, I hear that’s a decent movie, but the book was boring. Stand and Deliver is 1000 times more interesting.)   It seems pretty clear it was originally intended for adults, not high schoolers.   Back then it didn’t matter that half the cast looked 25 or there were too many people to keep track of.  Glee was like that sarcastic gay dude you skipped classes senior year with, the one who taught you how to smoke cigarettes and hold your liquor and could do a flawless Barbra impersonation at the drop of a hat.*

*My sarcastic gay friend was straightedge, and so was I.

Thing is, Glee got popular and Ryan Murphy got self-involved.   Reportedly that’s happened on his previous shows as well.   It stopped being about clever cruelty and cute covers and started being about BEING GLEE.   The writing got schizophrenic and the guest stars started rolling In.  Also, they started doing After School Specials that were neither clever nor properly moral-ed.  I maintain that the only two guest stars who were worth it are Kristin Chenoweth as April Rhodes and John Stamos as Emma’s Hot Dentist Husband.   And you’ll notice both of them had actual character arcs.   Gwyneth Paltrow doesn’t count because she’s awful.  Actually awful.  What’s the point of singing Cee-Lo Green if you’re going to do the radio edit?

Basically, when the show started really sucking I started noticing all of the -isms going on.  They’d always been there under the surface (or maybe openly in the name of satire), but Fox is the channel that has the Simpsons and Family Guy, so for a while I accepted it as part of the package with my primetime Broadway entertainment.

Then, “Blame It On The Alcohol” (Season 2 Episode 14) happened.

It is actually surprising how long it took me to find a full version of this scene:

Fangirl Reponses

Yes, he is.

-In Which I Talk About This At Length, With Video, For The Last Time

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More Broadway Casting Love

September 2011 has been and will continue to be pretty chaotic schedule-wise for me. I suspect know this is true for Emmy and Christina is well, so if you’ve been checking on our “scheduled” days, you can stop now. Set up an RSS feed or check every day, we don’t care which. 😉

The Kreayshawn update will come ASAP, but I won’t put a date to it now. Have another amuse-bouche courtesy of The Great White Way, everyone.

 

Continue reading on my tumblr!

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Nick Jonas: brooding auteur and future leading man

I know this isn’t the promised “Sleazy” analysis.  Deal.

Confidential to caelestis albinus bibaculus: this one’s for you, kid.

Boy, am I glad he’s not engaged.  #stopreadingthoserumorsLadyG  #itsbadforyourhealth

Congratulations to Tara Rubin Casting; you may have just scored the biggest hat trick* of your career.    After all of the media types have finished blogging about this, please take the week off.  You deserve it.    (As a fangirl tangentially in the industry, I’d like to add: OMG CAN I WORK UNDER YOU????)

Those of you who don’t stalk Broadway.com might not know what I’m referring to.   Here, have some links from reputable sources in the lamestream media:

http://blogs.wsj.com/speakeasy/2011/09/07/nick-jonas-to-star-in-how-to-succeed-in-business-without-really-trying/

http://artsbeat.blogs.nytimes.com/2011/09/07/nick-jonas-will-star-in-how-to-succeed-on-broadway/

And one excited link from fan media, just ’cause:

http://www.hypable.com/misc/2011/09/07/nick-jonas-to-follow-dan-radcliffe-darren-criss-in-how-to-succeed-starring-role/

*Tara Rubin has signed three talented young heartthrobs of similar coloring and build to the starring role in a Broadway revival within months.   This thing is already a box-office juggernaut for its tax bracket.  Every tweenmag is probably “hiring” another 5 PR interns right now just to track her movements.  They should give out casting awards.

What the Media’s Saying and Why I Disagree

The role of J. Pierrepont Finch, a window cleaner who rises through the ranks of the World Wide Wicket Company, calls for singing, dancing and, of course, acting. “The score is amazing, the music is absolutely incredible,” Jonas said. Perhaps because of the scope of the role, Jonas said that “I’m considering it my first Broadway experience.”  — WSJ

The WSJ arts analysis has always been written by and for Old White Suburbanites, most of whom seem to have definite tastes but not a whole lot of industry knowledge or industry-common sense.  Pre-Murdorch-takeover, I’d be inclined to believe that he actually said this, but check out what the NYT wrote (and what I already knew to be true):

Years before he was a teen pop heartthrob, Nick Jonas made his Broadway debut as the youngsters Little Jake in “Annie Get Your Gun,” Chip in “Beauty and the Beast,” and Gavroche in “Les Miserables” — three roles he credited for developing his voice for his band, the Jonas Brothers. The acting bug stayed with him, though, and he took the supporting role of the love-smitten revolutionary Marius in the London production of “Les Miserables” last year.

Yeah, somebody involved with the WSJ piece lied, and I don’t think it was Nick.   Although maybe they took his quote waaaay out of context.

ETA:  WHOAH, did not watch the end of that video before I posted it.  NSFW, guys.  I can’t believe the same Disneylebrity who used to wear a chastity ring was OK with this.  Wonder if all the tweenyboppers picked up on what she’s doing.

I fully believe this boy has the chops to succeed.  If you love Broadway, get over your (deserved) anti-JoBro bias.   Talented Jonas has always been talented, and he’s about to leave Slimy Jonas and Married Jonas behind in the dust.   Good riddance.

i’m saving my pithy remarks for the rest of the analysis;  click here.

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